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Ballet San Jose presents “R/Evolutionary” April 19 through 21 at the San Jose Center for the Performing Arts, 255 Almaden Blvd., San Jose. Symphony Silicon Valley will accompany the performances, conducted by George Daugherty, music director for Ballet San Jose. The program features the world premiere of Jessica Lang’s Eighty One, set to a commissioned score by Jakub Ciupiski, who will be a special musical guest. Ciupiski is a pioneer in gesture-controlled music, in which there is no physical contact with the instrument–he uses a laptop and an adapted version of a theremin (one of the first electronic instruments) to create music that corresponds to his movements. A regular theremin produces an eerie sound, but Ciupiski’s significantly altered version of the instrument creates a broad spectrum of sounds.

Featuring Rachna Nivas and blue crystal shoes open toe ballet flat shoes royal blue rhinestone custom woman shoes flower girl shoes youth girl shoes peep t Rina Mehta, “Speak” marks the debut of the Leela Dance Collective, which they founded with three other disciples of Pandit Chitresh Das, the great Bay Area dancer, choreographer and kathak evangelist who died two years ago, The Leela Dance collaboration with Dorrance and Sumbry-Edwards builds on the pioneering tap/kathak encounters created by Das and tap maestro Jason Samuels Smith with 2005’s “India Jazz Suites” and 2007’s “India Jazz Progressions” (in which Das made a point of showcasing rising women dancers)..

To have Amy Marie Briones, in pointe shoes, whirl pirouettes at center of her barrel-turning male colleagues was inspired. In the Arabian, the lush Beth Ann Namey and Nutnaree-Sukun courted muscled strongman Califano. The four Spanish dancers’ short but fiery music had them in and out with a flip of a skirt and the flourish of an arm — such a contrast to the Chinese trio whose tiny staccato steps felt like needle pricks. Moreno and Jacobs-Yu, beautiful together all night long, deserved a grander Grand Pas de Deux. To have them participate in the Waltz of the Flowers, also made what should have been the Ballet’s high point, look like an afterthought.

Liberated but a feminist?, I consider myself to be a “liberated” female, and have felt so from a very early age, I have always preferred the company of males, doing what was considered to be “tomboy” activities such as climbing trees, hopping fences, collecting bugs, etc.; however, I was also very much in touch with my feminine side: loving to play dress-up, sewing clothes for my dolls, wearing dresses, I was very comfortable in my skin until I hit puberty in junior high school, when I “blossomed” into what many males found blue crystal shoes open toe ballet flat shoes royal blue rhinestone custom woman shoes flower girl shoes youth girl shoes peep t attractive, and what many females found to be competition, This is where I’ve always had issues with “feminism”..

A I kind of heard it. It got to me. So I was very pleased about that. And I thought about that. And then I thought, “You know, I’d much rather be in the place of finding a way to ALWAYS want to give a fine performance.” And that has to do, I guess with maybe one of the reasons that I use the Shehecheyanu. But I feel the people who are in the audience that night — for many of them that will be the first time that they’ve ever heard the piece, or potentially the first time that the piece will really connect with them. So those are all vitally important things.

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